Dating blackface amps

Fender offered a full range of amps in their Blackface line, ranging from the diminutive Champ to the massive Twin Reverb.Cosmetically, the amps featured the aforementioned black control panels with white lettering, black tolex protective covering, and silver thread grille cloth.Certain words and phrases pique the interest of vintage guitar players and collectors worldwide, like “Burst,” “Blackguard,” “Plexi,” and “Blackface.” Named for their black control panels, Blackface Fender amps are one of the company’s most famous and coveted product series.

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For example, if you find pots from late ‘64 and transformers from early ’65, you can be pretty sure your amp is a 1965.Beginning in late 1963 and continuing into mid-1964, Fender used up remaining old “Tweed style” Champ chassis and cabinets, but with Blackface cosmetics; Leo Fender was famously known as a skinflint when it came to minimizing production costs.After all, he was the guy who reused his styrofoam cup for coffee.Blackface amps were immediately popular upon release and used on numerous famous recordings.They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone.

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